分类名称剧情片分类名称

视频名称Redenção视频名称

视频别名Redemption视频别名

视频副标题视频副标题

视频图片视频图片

视频地区巴西 / 法国视频地区

视频语言葡萄牙语视频语言

视频年代2023视频年代

视频总集数视频总集数

视频播放名字符串视频播放名字符串

豆瓣ID36613131豆瓣ID

影视简介In 1911, during the Universal Races Congress in London, the representative from Brazil presented a painting titled “Ham’s Redemption” (A redenção de Cam). Featuring a black grandmother, a mestizo mother, a white father and their light-skinned infant at the center of the frame, the painting became a symbol of the racial whitening ideology in Brazil throughout the 19th and 20th c... (展开全部) 　　In 1911, during the Universal Races Congress in London, the representative from Brazil presented a painting titled “Ham’s Redemption” (A redenção de Cam). Featuring a black grandmother, a mestizo mother, a white father and their light-skinned infant at the center of the frame, the painting became a symbol of the racial whitening ideology in Brazil throughout the 19th and 20th centuries. More than 110 years later, creator Mariana Luiza—who identifies as Black—critiques Brazil’s racial legacy and offers a poetic, counter-colonial answer to the painting in an immersive installation. 　　Redemption transforms space, image, sound and scent into a labyrinth. At the start of the journey, the virtual space is flooded with archival footage. As the exploration continues, we find ourselves in the dark and deep hollow of Kalunga, the center of the earth. Through a mirror of water, we find an alternative destination of “Ham’s Redemption” and meet the cosmovison of the Bantu people, ancestors to most Africans in Brazil. We feel the smoke, the magma, the skin and the merging of life and death. Here the experience of time is no longer linear; rather, as the Bantu people believe, it curves and repeats. 　　源自：https://festival.idfa.nl/en/film/447f7657-be92-4635-b22f-dba47e026731/redemption/影视简介