分类名称纪录片分类名称

视频名称IFoundWater视频名称

视频别名视频别名

视频副标题视频副标题

视频图片视频图片

视频地区澳大利亚 / 新西兰视频地区

视频语言无对白视频语言

视频年代2023视频年代

视频总集数视频总集数

视频播放名字符串视频播放名字符串

豆瓣ID36603394豆瓣ID

影视简介The autobiographical narrative uses a few shaky images partly drowned in the darkness, photographs from his personal archive and occasional intertitles to provoke reflections on the nature of memories, the mysterious logic of their preservation, surfacing, thinning and being. 　　“Digital video is very human to me. Particularly with regard to my practice, which involves pushing the... (展开全部) 　　The autobiographical narrative uses a few shaky images partly drowned in the darkness, photographs from his personal archive and occasional intertitles to provoke reflections on the nature of memories, the mysterious logic of their preservation, surfacing, thinning and being. 　　“Digital video is very human to me. Particularly with regard to my practice, which involves pushing the video footage to its physical limits by restricting the light entering into the lens using the filters that I make. Every shot becomes similar to stretching an elastic band. How distorted do I want it for this shot? How much can I push it until it destructs?” (http://pugnantfilmseries.blogspot.com/2020/01/my-song-is-sung-sj-ramir.html) 　　源自：https://www.ji-hlava.com/filmy/nasel-jsem-vodu影视简介