分类名称剧情片分类名称

视频名称Stillstand视频名称

视频别名TheStandstill视频别名

视频副标题视频副标题

视频图片视频图片

视频地区奥地利视频地区

视频语言德语视频语言

视频年代2023视频年代

视频总集数视频总集数

视频播放名字符串视频播放名字符串

豆瓣ID36575295豆瓣ID

影视简介The film opens with the image of an elderly individual in a hospital, hooked to a machine: assistance is needed to slowly breathe in and out. This existential moment of physical precariousness is followed by Nikolaus Geyrhalter’s typical long shots, though in this case they do not document work processes but look like a prequel to his fantastic science fiction documentary “Homo... (展开全部) 　　The film opens with the image of an elderly individual in a hospital, hooked to a machine: assistance is needed to slowly breathe in and out. This existential moment of physical precariousness is followed by Nikolaus Geyrhalter’s typical long shots, though in this case they do not document work processes but look like a prequel to his fantastic science fiction documentary “Homo Sapiens” (2016): deserted airports, swimming pools, playgrounds. 　　The filmmaker sets out with his identifiable aesthetic tools to tackle the documentation of the first three waves of the Covid-19 pandemic, from March 2020 to December 2021. In Vienna, a major city with a relatively well-functioning health system, he looks at institutions that are in a “flexible learning mode”: intensive care units, emergency shelters, schools, cinemas. Time and again he visits a flower shop that is not system-relevant but, by its own definition, sells food. Lockdown followed by eased restrictions followed by lockdown. The camera registers how paralysis in the face of a natural disaster is superseded in some people by anger at the restrictions. Meanwhile, cases of Long Covid are being treated in the hospitals. Topical, only a little later, these images cut across the repression of what has been experienced. 　　Jan Künemund 　　源自：https://www.dok-leipzig.de/en/film/stillstand/programm影视简介